Images / Adri Hamui
Runway / LAM
VANEBON, the label by Vanessa Bon that’s been steadily constructing a world the place garments don’t simply adorn, they remodel, simply offered a retro-futuristic manifesto of identification, femininity, and The Act of Turning into.
Enter PRIMADONNA, a set that refuses the standard runway. The presentation unfolded much less like a present and extra like a fever dream; intimate, surreal, and just a bit harmful. Consider a highschool sleepover together with your besties, an area the place identities are tried on, exaggerated, discarded, and reborn.
VANEBON’s message is evident: turning into isn’t linear. It’s messy, theatrical, and deeply private.
The gathering drifts by way of archetypes all of us acknowledge: the romantic, the insurgent, the pop star, the cool woman, the performer, however as a substitute of pinning them down, it lets them blur. Lace slips into shimmer, pastels flicker with a retro fetishistic edge, and silhouettes circulation between vulnerability and management. It’s tender, however by no means passive. Fairly, however not well mannered.
There’s one thing cinematic in the way in which PRIMADONNA strikes. Every look appears like a personality mid-transformation, caught between who she was and who she’s about to turn out to be. It’s that intention between creativeness and embodiment that VANEBON captures so exactly. The second when taking part in a job stops being play.
Her work has already discovered its method onto artists like Björk, Rosalía, and Rina Sawayamanwomen who, like Vanessa Bon, perceive the ability of self-construction.
With PRIMADONNA, she doesn’t simply current a set. She phases a query:
Who do you turn out to be when nobody’s watching…or when everyone seems to be?
In VANEBON’s world, the reply is rarely singular. It’s layered, exaggerated, and fully your personal.
